Archive for April 2009

When It All Falls Down....

I think I ruffled a few feathers not too long ago when I stated that "age was the enemy" on the post I did on Jimmy "J.J" Walker and Boy George, alluding to their rapid deterioration and alarming visages. Some said "It's not age, it's lifestyle!" True, that is a factor, but you can be the exercisinest veganist vegan, and it all hits the end of the road somewhere. I started thinking of this subject for several reasons...the first one being this:

That these two that practically anyone, at any time, at any place, would have smashed in the 90's end up looking like Michael Jackson's unholy apprentices. I just don't get it. NOTE TO HOLLYWOOD: Make a beeline to whomever works on Halle Barry and Jennifer Lopez and call it a day! Those two should be the only working plastic surgeons in the world. Period.

Yes, age is devastating, as was witnessed on the "American Idol" disco medley the other day. Much has been made of how "ancient" the guests were, but if any of the readers of this blog look like Freda Payne (67 in Sept), or Thelma Houston (63 in a yellow dress showing a massive amount of leg) at their ages, please let me know. As for KC of KC and the Sunshine Band....well, let's just say he is dealing with a numerous amount of the white man's burdens.

Another example of the perils of aging is the disappointing film I watched the other day, "Original Gangstas". I was very happy to live with the memory of the fine-ass (and I do mean ass) Fred Williamson, aka 'The Hammer' from the 70's, and this film was an unwelcome jolt of reality. It is a vengeance movie that brings together Williamson, Jim Brown (wearing this life's most unfortunate kufi to cover an even more unfortunate bald spot), Ron O'Neal (Superfly, looking like the cashier/weed dealer at your nearest bodega), Richard Roundtree (Shaft), and Pam Grier (Foxy Brown, with hair looking like it hasn't seen the working end of a flat iron for several decades). You would think bringing together the most iconic icons of 70's Blaxploitation would be the sh*t, but sadly, I was left wishing everyone would have just rested on their laurels, and all I wanted to do was hand out Restalyne and Ab Rollers to everyone involved :-(

But there are other things that can cause it to all fall down, most prolific being stupidity. Rapper/actor Xzibit is about to lose his house to foreclosure, after 100 years of "Pimp My Ride" and it's reruns. Terrence Howard is still whining about losing his part in "Ironman". Ummm....T? Everyone involved with this film has been a professional for years. You mumble, sleepwalk, and use your "quivering voice" at dramatic pauses, then proceed to jack your price up sky high? That is exactly why you are in some fucked up movie called "Fighting" with the other weirdest Black man in Hollywood, Roger Guenveur Smith, who is probably your doppelganger, and playing second fiddle to Channing Tatum, whoever that is. Maybe you can pick up where Wesley Snipes left off.

A loooong way from wearing Ironman's suit of armor, yes?

Stupidity coupled with being low budget is definitely the way to make it fall down. Idris Elba now refuses to do press junkets and attend the premieres of his masterpiece "Obsessed". Negro, you were on "The Wire". Did you even read the script for this POS? I'm assuming not, as it surely would have ended up in "the circular file" as my grandfather used to say--aka the wastebasket. Don't act all brand new now. What did you possibly hope to accomplish starring opposite Beyonce and Ali Larter, in a film that was produced by the dude that did "3 Can Play That Game?" Falling down, dude. Hard.

But nobody has fallen as hard in my recent memory as this next one. I watched a bootleg (yes, I'm going to Heck) of "Single Black Female", which is without exception the very worst film ever made, ever. It looked like it was filmed on a 1999 Nokia phone, yet I was could not stop watching it. I was completely transfixed by it's unbelievable horribleness--I think I was hypnotized. Beyonce can make a thousand "Obsesseds" and it wouldn't even come close to the stench of this flick. It "stars" Farrah Something Or Other, who used to be in Destiny's Child, and obviously that will forever be the zenith in her life till the grave. Yes, age is no joke, but combine being stupid, low budget, AND talentless and there is nowhere to go but down. Behold:

So I stand corrected, age is not the only enemy, but it is still definitely in the top five!

Not So Blind Item....

Hard-Nipple Nick is the hottest star, both bod-wise and at the box office. His wife’s figure and professional goings-on aren’t too shabby, either, as both Mr. and Mrs. Nick enjoy fame and fortune regularly up on the big screen—though his paychecks dwarf hers, big-time.

Yep, everything’s pretty cozy Chez Nick, even the bisexual couple’s agreement to have lovers outside the marriage. Instead of his-and-hers towels, they have his-and-hers sex partners!

And you guessed it, there’s a girl for Mrs. Nick and…

A boy for Mr. Nick! And like the smart have-it-all couple they are, the Nicks chose other famous people to be their closeted lovers. Too crafty! Only problem being Hard-Nipple’s boyfriend is married to an established actress who’s growing increasingly peeved over the clandestine arrangement.

“He’s starting to go out and fly him with him everywhere,” a good friend to the Nicks told yours truly about Hard-Nipple taking the BF a few too many places as of late. “They’re turning up everywhere together, and [the boyfriend's wife] is getting really pissed about it. It’s going too far. It’s only a matter of time before she spills.”

Guess all those pricey little gifties to the wife for borrowing her hubby aren’t as attractive as they once were?

Must say I’m a tad surprised to hear this latest development, as H.-N’.s always been one of the best in the Biz about keeping his preferred love life on the down-low. And now that it’s flyin’ high, guess a tabloid revelation is only seconds away from takeoff!

And It Ain’t: John Travolta, David Beckham, Jerry O’Connell**

From IW: Holee sh*t! And folks are saying that the other one is Tom Cruise...

**source: ted casablanca

"the last haunted house" scene-by-scene breakdown 1st draft... finally finished and in jamie's capable hands.

anxiously awaiting discussing it with jamie tomorrow (or, rather, later today as it's past 1am).

and now, off to bed to read a bit and fall into a hopefully peaceful slumber.

g'night john-boy.

10 Favorite Film Characters

The Task: Make a list of 10 of your favorite film characters.

Sure - as Rodney Dangerfield says in "Back to School" - "piece of cake!" Thank God this doesn't say ALL-TIME favorite film characters - as that would be very difficult if not impossible. When you've seen thousands and thousands of films it's hard enough to pick 10 random favorites, let alone all-time favorites...

Actually, I decided to play it pretty basic and simple here. I just...well, I just thought of 10 random and immediate characters that I loved for some particular reason or another and started to look for pictures of them. I won't go into great detail after each selection - some may require no explanation at all. This was very fun and actually not as complicated as I thought it would be. The trick was to just go with first thoughts, if I started to refine and cultivate a list, oh boy, that would be another story altogether!

Ard as portrayed by actor Martin Lavut
Heavy Metal (1981)

The single most bitchy, sarcastic animated character ever. That sly, effeminate, brilliant Ard. "Guards, castrate him..." "If you refuse, you die; she dies; everybody dies." "Norl" The Loc-Nar is mine! - Stupid bitch! Get away from me! - Give it to me! - The Loc-Nar is mine! It's my Loc-Nar."

Ramona as portrayed by Cathy Moriarty
Neighbors (1981)

If you have seen this film then I don't think I need to go into any explanation with Ramona. If you haven't, tsk tsk. GET ON THAT.

Chick Young and Wilbur Gray as portrayed by Bud Abbott and Lou Costello
- Abbott and Costello Meet Frankenstein (1948)

I can't say that I'd want to pal around with Chick and Wilbur all the time, but every now and then would be a hoot! Especially at Masquerade Balls!

Lawrence Woolsey as portrayed by John Goodman
Matinee (1993)

Clearly based off of legendary producer, director William Castle, Matinee's Lawrence Woolsey (beautifully realized by Goodman) is a real sentimental favorite of mine. He tells it like it is and with a great deal of insight and fatherly wisdom. What a mentor he is in this film! Keep your eyes open he advises us - don't cover them up during the scary parts. His parable of the first horror film (much like Plato's Cave) is a bit of movie magic genius.

Maximus Decimus Meridius as portrayed by Russell Crowe
Gladiator (2000)

"Strength and Honor." That's Goddamn right.

Contessa Teresa di Vicenzo "Tracy" as portrayed by Diana Rigg
On Her Majesty's Secret Service (1969)

I'll never ever forget the first time I saw this film. I was about 9 or 10 years old and had already seen EVERY bond film save this one. I was watching it by myself over Christmas break. I was wrapped up good and tight on that cold December night, drinking hot chocolate, loving this film. And, when James Bond proposed marriage - in that little shack - with those beautiful lines of dialogue - man, I was having one of my major cinema moments, seriously. A very special, one on one moment with this film. As you might guess then, I cried when the film ended and was depressed for a few days after... "We have all the time in the world."

Rev. Frank Scott as portrayed by Gene Hackman
The Poseidon Adventure (1972)

A Fightin' Priest! God save Gene Hackman, in my opinion - America's greatest living actor. "Get on your knees and pray for forgiveness?" "I said I was gonna get everybody out of here and Goddamit I'm gonna do it!" "We have to go UP!" Hackman can do more with a potential throwaway line than anybody. Period.

Salvatore Di Vita as portrayed by Jacques Perrin
Cinema Paradiso (1988)

Quiet, still, understated. Perrin's facial expressions blow you away. He's amazing. The most sentimental, nostalgic film about films of all-time. If someone doesn't get weepy at the end of this film, don't trust them! They're inhuman.

Professor Fate as portrayed by Jack Lemmon
The Great Race (1965)

Those who know me well, and I mean WELL, know that this was my favorite film of all-time for decades. Professor Fate is, quite simply, my favorite Jack Lemmon character. "Push the button Max!"

Frank Galvin as portrayed by Paul Newman
The Verdict (1981)

"So much of the time we're just lost. We say please God, tell us, what is right, what is true. And there is no justice. The rich win, the poor are powerless. We become tired of hearing people lie, and after a time we become dead. ... We think of ourselves as victims, we become victims. We become, we become weak. ... "In my religion, we say act as if you had faith. ... If we are to have faith in justice, we need only to believe in ourselves. ... I believe there is justice in our hearts."

Never do you root for a Paul Newman character MORE than in the very brilliant (and my favorite) Paul Newman performance and film - Sydney Lumet's masterstroke, The Verdict.

Well, there ya have it. Ten quick gut reactions. I'm actually quite proud of this post. It took almost no time to put together (except for the Cathy Moriarty and Ard stills which I had to grab from their respective DVDs). It was put together quickly and I like my choices. If this HAD BEEN 10 ALL TIME favorites, I would've been screwed (I did have number 10 ready to go though - Robert Shaw's "Quint" from Jaws). And lastly, if my friend Taliesin should be reading - our review of I, Desire is coming up very soon!

I wasn't tagged in this meme - rather I saw it on some blogs and, on the spur of the moment, decided to join in. So, I can't in good conscience tag anyone else. However, should you want to participate - let me know you did with a tag back or comment. Cheers!

Kicking against the pricks

Toby Wilkins knows a thing or two about visual effects, having been in the business for the last ten years, and his first feature film as director bears this out. You can see the proof there on the cover of Splinter: he’s created “the year’s best beast”, according to LA Weekly. And, you know, I’m not going to argue. Splinter’s figure-skating fusion of amalgamated body parts is downright horrific and perfectly realized (I know because I watched the special feature on the DVD and they way they brought it to life really is clever).

Wilkins himself is British, which may explain why we got Splinter on DVD a few weeks ago, while it’s only out in the US today. As a low-budget monster movie, it’s pretty fantastic. The creature’s great, the story works, there’s loads of gore, and the characters’ actions are fairly reasonable. In fact, if there is a flaw, it’s that there aren’t enough characters. We’re more used to seeing superfluous extras picked off left, right and centre, whereas the action here centres almost entirely around three people trapped inside a gas station convenience store. But don’t be put off by the location – there’s plenty of exciting stuff going on (none of which involves beef jerky or porn mags) and when characters meet their ends, they do so in spectacularly nasty fashion.

That’s the US DVD on the left above, with the UK release to the right... One-nil to us Britishers, I say. Give Splinter a go.

R.I.P. Marilyn Chambers

1952 - 2009

How Sad.

Still Very Much in Love with Christina Lindberg

Yours Truly and the amazing Christina Lindberg

This past Saturday night was very special. Over the years, as my career has blossomed, I've been lucky enough to spend quality time with many motion picture actors and directors. This has been facilitated by my good friends at Synapse Films, Jerry Chandler and Don May Jr, and my good friend, the historian, scholar and author Carlos Aguilar. Don and Jerry flew in the legendary Swedish actress, model, publisher, and popular culture icon, Christina Lindberg and her friend, promoter and Klubb Super 8 founder, Rickard Gramfors. This is indeed a rare occurrence - Christina retired from the industry many years ago to go onto a very successful career in aviation publishing. Her appearance at this year's Cinema Wasteland convention was THE cult cinema event of the year. Christina was constantly occupied. CONSTANTLY. Her popularity has not lessened or diminished in any way over the last thirty years - on the contrary, she has more legions of fans than she could possibly imagine. But more on that later. One fan, in particular, had driven from Florida for 20 hours STRAIGHT just to see her and get her autograph before returning back to Florida. Now, that is devotion. Speaking of devotion, check out this tattoo -

(C) Evilnktattoo


After the con shut down for the evening at 7pm, a small party of us went to a nice local restaurant to have dinner and relax. Rickard had asked, "would you like to sit next to Christina?" A rhetorical queston... What followed was a lovely time and what is and what will remain a very sweet and cherished memory.

Christina's trademark - no smile.

In fact, it is VERY difficult to find pics of Christina smiling. I've got a good little behind the scenes pic of Christina on the set of Thriller having a cigarette and coming close to a full-on smile, but not quite (at left). We talked of many matters. Since she had been answering questions about films all day, I steered the conversation more towards aviation, travel, culture, my times in Europe, etc. But, we did talk about Thriller, A Cruel Picture (a.k.a They Call Her One Eye) - she had a lot to say about the making of that film! Some great behind the scenes stories...

Thriller - A Cruel Picture (1974)

For me however, there was a very touching, tender moment. Christina had told me that she was VERY shy when she was young and still shy to this day (a few minutes later, I bore witness to this). When talking about travel, Rickard, Christina and I had a lovely discussion about Japan and the two films Christina made while living in Japan. I told them I had just published a chapter in a book that dealt with three Japanese Vampire films from the same period when Christina was living there. Rickard commented that perhaps a retrospective on Swedish Exploitation with Tokyo playing host would be a really good idea. Christina was very interested and had admitted that she had not been back to Japan since she left in the 1970s. A few moments later, after we had changed the topic slightly, Christina touched my arm lightly and asked "They are still interested in me in Japan?" The humility and vulnerability in her voice was genuine and very moving. I responded, "Yes. They are. Very much so." That moment branded itself in my memory and is what I remember most from our evening. What a remarkable woman.

Film Historian, Distributor, and Promoter - Rickard Gramfors
(Taken by Christina while I was giving her instructions - hence my weird, Hanson Brother face)

Christina Lindberg!

Always a good time in Cleveland

Christina and Don May Jr.

Our small dinner party had to break up as Christina's cult film "Anita" was playing (on a remarkable 35 mm print English dubbed print) at the major cineplex next door for a midnight showing, which Christina and Rickard were introducing. I headed back to the hotel and chilled with me droog Fred for a bit and then hit the road back to Detroit, with a perma-smile that is still plastered across my face. Thank you Christina Lindberg, Rickard Gramfors, and especially to my good friends Jerry Chandler and Don May Jr. for making this possible. You guys are the best.


There’s backwoods, and then there’s backwoods. And, by the latter, I mean 1970s Norway... Is there anyplace worse to find yourself in a slasher movie? Manhunt, known as Rovdyr in its home country, sets out to answer this question – and does so with a decent amount of gory panache but nothing in the way of originality.

That surprised me, actually. My most recent encounter with Scandinavian cinema was the blindingly unique Let the Right One In, which does things to the teen-vampire genre that would make an Eastern European hooker blush. And, before that, there was Cold Prey: also Scandinavian, also snowy, also bloody brilliant. Manhunt doesn’t have the snow. Nor the brilliance.

It’s 1974, the year of The Texas Chain Saw Massacre, but Tobe Hooper’s film obviously hasn’t made it as far as Norway yet because the four teenage protagonists of Manhunt don’t seem to realize it’s not really a good idea to drive somewhere remote in a camper van, make fun of the locals, and pick up a half-crazy hitchhiker. Pretty soon, the hitchhiker is dead, one of the teens is dead (shotgunned graphically in the heel, and then – oops – the head) and the survivors are on the run from some scruffy, possibly inbred hunters who prefer human prey to woodland wildlife.

That’s pretty much where the TCM referencing stops and, unfortunately, the story along with it. Manhunt offers nothing else beyond running and hiding in the woods for the rest of its scant, 75-minute running time. We never get to understand, or even meet, the killers in any detail, there aren’t any actual set pieces (like Wrong Turn’s masterful keyhole, treetop or waterfall sequences) and it’s not even particularly suspenseful. But then, I wasn’t bored, either... Damn you, Manhunt! You should be a pointless retread but there’s something – something! – about you that keeps you interesting. I’ll be damned if I know what it is, though.

Quite simply, there’s no justice: the use of The Texas Chain Saw Massacre goes way beyond a simple jumping-off point for Mannunt. It’s more like a straight remake-cum-rip-off, only without the second half. Sorta like this:

Is it really feasible, however, that someone would virtually remake a 35-year-old film and not only fall far short in comparison, but also chuck out all the accumulated slasher learnings of the past three decades? Manhunt does nothing new. It doesn’t even try to do anything new, except set itself in Norway.

Speaking of which, I think I’ll remake Halloween and set it in the Maldives. That Michael Myers could really use a nice tan.

Rating: 3/5

The Dardos Awards

“The Dardos Award is given for recognition of cultural, ethical, literary, and personal values transmitted in the form of creative and original writing. These stamps were created with the intention of promoting fraternization between bloggers, a way of showing affection and gratitude for work that adds value to the Web.”

I was given this award by my good friend Chick Young over at Trash Aesthetics. It is very humbling to be recognized by one of my peers. It is also very gratifying, because Chick Young always inspires me to be at the top of my game. I graciously accept this award in the spirit in which it was given.

As is usually the case with awards such as these, it now falls upon me to give out this award to five peers whom I feel embody its spirit. And the winners are:

Moneyeyes at Postcards From Ironyville - Moneyeyes (aka Jamie) is one of my closest friends and a kindred spirit. He is also, beyond a shadow of a doubt, one of the finest writers that I have ever met. Moneyeyes is a true artist who always challenges himself and those around him. Finally, he is also a great collaborator. Without him, there would be no film project (more on this below).

Sarah at She Speaks...And Then She Went Mad. - Sarah is another dear friend and a talented writer. She has this uncanny ability of finding the beauty or horror of every day life. This is why I have tasked Sarah with the responsibility of writing the liner notes of my first album, "Beautiful Decay". (Personal Note to Sarah: it has been too long since we've seen each other...we need to rectify that sooner rather than later.)

The Merry Band of Pranksters at We Read Comics - The entire crew at Vault of Midnight have one mission: to get everyone in the world to read comics. Make no mistake about it: this is a noble goal. Not only should you be reading this blog, you should also make it a point to visit the Vault of Midnight at 219 S. Main St in Ann Arbor, MI 48104. Go there...strike up a conversation with anyone that is working there...peruse their bountiful selection of books...drink one of their organic colas. It is well worth your time.

Chris at Slightly Affected - Chris is another of my closest friends. He is also a master photographer. You may recognize's the cover of "Beautiful Decay". He is also responsible for my profile photo. He has the ability to see the beauty in EVERYTHING. Chris, Jamie and I are creating a film-making collective. We have a LOT of projects that are percolating.

(Personal Note to Jamie and Chris: Losing the South Africa gig might very well have been for the best. We can now focus our efforts on the important matters at hand.)

Finally, Chick Young at Trash Aesthetics - Is it possible to give someone the award who has already received it? Well, it is now. Chick (aka Nick) is another kindred spirit who constantly challenges me to do my best work. It is very fitting to me that he receives this award for a second time. (Personal Note to Chick: I look forward to reading your dissertation when it is completed. I also look forward to your notes on "Word Virus (Fever Freaks)", so call/write/email/post them when you're ready.)

And now, let's all get out there and do what all artists do: create.

Universal - Classic Monsters Montage

I ripped this Universal Logo Montage from my Abbott and Costello Meet Frankenstein (1948) dvd.

This was the montage that was cut together for this first wave of Universal Classic Monsters dvd's - long since out of print.

I get a lump in my throat every time I watch it. I wanted to share it with you as I find it timeless and beautiful. It's MY WORLD. Please have a look - it's very short.

Recognition is Always Nice

“The Dardos Award is given for recognition of cultural, ethical, literary, and personal values transmitted in the form of creative and original writing. These stamps were created with the intention of promoting fraternization between bloggers, a way of showing affection and gratitude for work that adds value to the Web.”

I was awarded this very flattering award by my friend Taliesin of Taliesin Meets the Vampires (the greatest blog on all things vampire - full stop). I humbly accept this award and in the spirit it was given pass it on to some bloggers (some of whom may already have this award) who have made a constant and steady difference in my life. One is requested to pass on this award to five people who you feel embody the nature and spirit of this award. As such, to my friends:

Gilligan - who always leaves me a thought provoking comment or word of thanks and whose Retrospace is very often the highlight of a given day

Bill - my amigo in China whose Uranium Cafe always spellbinds. His new podcasts are even more illuminating - please keep them coming! Bill is the older brother I once had.

Ed - a good personal friend whose blog, though still young, is flourishing at a steady clip and providing me with a great deal of expertise on all things Hong Kong. Find him at Teresa Mak & Other Hong Kong Actresses

Erik - Another good personal friend and comrade in arms in our never ending doctoral endeavors. You can read all about Erik's Memorable Fancies

And lastly, to Joe - who inspired me to set up this blog in the first place. Joe, like yours truly, does not post as often as he would like, but when he is inspired to do so - you should take note. Joe, like his blog title, is Always Returning to my blog with many kind things to say.

There are many more of you (you know who you are) who I would like to share this with - and in fact I DO. These are just a few shout outs that I felt needed mentioning...

Cheers and thanks for reading my crap.

A Small, But Representative Sampling


Wanna go for a ride on my time machine? If so, read on, and buckle up cuz we're going 29 years back. Yes, grab your Jack Nicholson butcher knife, Olivia Newton John roller skates, and of course, ol' Billy Barool (Billy, Billy, Billy...) as we take a look at several months worth of releases from the year, our Lord, nineteen hundred and eighty.

So, what exactly am I getting at in this blog post? Well, I was gathering data for a large project and stumbled across a listing of release dates, by week, of some major films spread across various studios during these months. The thing is - I've seen every single one of these film, some dozens of times and many at the theaters in 1980. And, it struck me. Motherfucker, that's some list of films.

So impressive in fact that it got me thinking just how much less we appear to demand from our culture industry "these days." Now, granted, that's not saying much, but look at the partial list of films below and, well, you be the judge. Not a bum film in the lot as far as I'm concerned.

Also granted, I'm looking at this list of films through the perhaps "corrective" lens of 29 years. So, just how much of this is nostalgia and how much of it is valid is debatable. However, I saw many of these films in the theater at the time of their release and the rest within a year or two later - on home video, on "ON TV", or on network television and I loved every single one of them. I ask you, when was the last time we had a four or five month stretch that read like this?

Friday, February 08th 1980
"American Gigolo"
"The Fog" (saw in theater)
"Midnight Madness"

Friday, February 15th 1980
"Saturn 3"

Friday, February 29th 1980
"Don't Answer The Phone"

Friday, March 07th 1980
"Coal Miner's Daughter"

Friday, March 14th 1980

Friday, March 21st 1980
"Forbidden Zone"
"Little Darlings" (saw in theater at least twice)

Friday, March 28th 1980
"The Changeling"(saw in theater)
"Don't Go In The House"

Friday, May 09th 1980
"Friday the 13th"
The Nude Bomb" (saw in theater)

Friday, May 16th 1980
"Breaker Morant"
"The Long Riders"

Friday, May 23rd 1980
"The Shining" (saw in theater)

Friday, May 30th 1980
"Bon Voyage, Charlie Brown (and Don't Come Back!!)" (saw in theater)
"The Hollywood Knights"

Friday, June 06th 1980
"Up the Academy" (saw in theater)
"Urban Cowboy" (saw in theater)

Friday, June 13th 1980
"Mad Max"
"The Island"
"Wholly Moses!"

Friday, June 20th 1980
"The Blues Brothers" (saw in theater)

Friday, June 27th 1980
"The Stunt Man"

Wednesday, July 02nd 1980
"Airplane!" (saw about 4 or 5 times in theater)

Friday, July 04th 1980
"The Blue Lagoon"

Friday, July 11th 1980
"My Bodyguard" (saw in theater)
"Oh! Heavenly Dog"
"Used Cars" (saw in theater)

Friday, July 18th 1980
"The Big Red One"
"Cheech & Chong's Next Movie"
"Honeysuckle Rose"
"Prom Night"

Friday, July 18th 1980
"Caddyshack" (saw at theater at least twice)

Friday, August 01st 1980
"Close Encounters Of The Third Kind" (saw in theater)
"The Final Countdown" (saw in theater)

Friday, August 08th 1980
"Xanadu" (saw in theater at least twice)

Some of my favorite movies of all-time (as well as most beloved by the public) are in this short and modest list. Caddyshack? The Blues Brothers? The Shining? Friday the 13th? Airplane? Mad Max? Caligula? Not to mention total cult faves like Little Darlings, The Final Countdown, The Long Riders, The Stunt Man and Xanadu. What the fuck do we get nowadays? For me, it amounts to a film I feel like seeing every two or three months and one that I actually go to every 4.

At any rate - if I dug up this time capsule and found these many reels of film, were I a cultural anthroplogist, I might conclude that - well I think you know what I would conclude...

I don't belong here - I belong there. Sure could use me a Tardis.

Put your hands up

If you’re in any way interested in the development of the slasher genre and haven’t yet read Snake Oil’s Proto-Slashers take on Hands of the Ripper, get yourself over to the Retro Slashers Blog and have a gander, as they say in period London. The 1971 Hammer horror is the latest in Snake Oil’s fascinating look at the films that paved the way for the modern slasher, and if this appetizing review doesn’t have you gagging to see it... YOU’RE ALREADY DEAD! Or something.

I’ve also just discovered there’s a special edition DVD available, at least in the UK. (That’s the cover above, see?) Yes, for once, we Brits get the, er, longer end of the stick, the one without the poop on it.
Previous previews in the Proto-Slashers series (and try saying that in a hurry) include: Francis Ford Coppola’s Dementia 13 (1963), the PG-rated sickie Blood and Lace (1971), and the British babysitter-in-peril movie Fright (also 1971... What made the world so angry that year?).